Related Paintings of unknow artist :. | That guldlama - the usual lastdjuret in Sydamerika am exposing one test pa collect guldmideskonst | elisabeth av oserrike rudolfs moder | Portrait of Denis Diderot | THis Detail illustrates | Floral, beautiful classical still life of flowers 010 |
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ALTICHIERO da Zevio
Italian Gothic Era Painter, ca.1330-1390 Altichiero da Verona (also called Aldighieri da Zevio; c. 1330 ?C c. 1390) was an Italian painter of the Gothic style. A follower of Giotto, Altichiero is credited with founding the Veronese school. He worked in Verona and Padua ?? works by him survive in the church of Sant'Anastasia in Verona and in the basilica of Sant'Antonio and the Oratorio di San Giorgio in Padua (where the credit for the work has been generally shared with Jacopo d'Avanzi, about whom little is known). Altichiero was probably born somewhere near Zevio. He became an important member of the della Scala's household, and around 1364 painted a series of frescoes based upon Flavius Josephus's The Wars of the Jews at the della Scala palace of Sala del Podest??. There are frescoes by him in the Basilica of Saint Anthony of Padua. In conjunction with D'Avanzo Veronese, he frescoed the chapel of St. James for which he was paid 792 ducats. The first seven frescoes on the life of St. James the Elder were by Altichiero.
Max, Gabriel Cornelius von
Czechoslovakian, 1840-1915 Painter, illustrator and teacher, nephew of (1) Emanuel Max. He studied at the Academy of Fine Arts, Prague (1855-8), and the Akademie der Bildenden K?nste, Vienna (1858-61), and under Karl Theodor von Piloty at the Akademie der Bildenden K?nste, Munich (1863/4-7). He settled in Munich, where he opened a private school of painting in 1869. His paintings and book illustrations of the second half of the 1860s show an affinity with the late Romanticist movement. He illustrated works of German literature by Wieland, Lenau and Schiller, as well as producing illustrations for Goethe's Faust (1867-8; Prague, N.G., Kinsky Palace). As well as literary and even musical sources, religious themes frequently occur in his work, including his first great success, the Crucifixion of St Julie (1867; ex-Sotheby's, London, 1976). In numerous female figures and portraits Max explored the tension between the inner state and the charm of the physical appearance or surroundings of his subjects. His interest in the artistic perception of relationships between physical reality and the spiritual world led him to a study of anthropology and contemporary occultism and mysticism, as in his portraits of the Seer of Prevorst
Ivan Nikolaevich Kramskoy
Russian Painter, 1837-1887